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this past weekend four friends and i watched the water come in and go out, be still and move swiftly past (first to the right and then to the left), lap beneath the house, sound like rain, reflect stars, shine shades of grey, blue, green, lavender.
of course we took pictures.
we stayed on the water of tomales bay in marshall, california. the weekend was like the water, moving fast, moving slow. so much emotion, so much laughter and silliness. we played (a surprisingly competitive game of) apples to apples, we dressed up, leslie set up a photo booth, we told stories and dreams, we beaded necklaces, made dinners, painted, ate and ate and ate. we walked on dillon beach, rambled rather loudly through point reyes, and ate some more. luckily, we didn't fit everything in, so we'll need to do it again. thanks katrina, jen, leslie and mati. y'all are beauties.

my mom visited this past weekend. we ate our way through the pastries at knead and sandbox bakery (and at the rooftop cafe at moma, but that cake isn't worth this mention). the almond twists at knead were new to me, and delicious.finished i know you're out there by michael beaumier a few days ago. in it baumier recounts his experiences/observations working in the personals ads section of a chicago paper. that guy's really funny.
also funny.
comfortable (and kinda funny--her expression)

i'm loving farm together now: a portrait of people, places, and ideas for a new food movement, a book that just came out by amy franceschini and daniel tucker. it's beautifully designed, with gorgeous photographs by anne hammersky and illustrations by corinne matesich. and the text! it consists of interviews with the hero farmers who are reinventing local food systems (plus sidebar definitions of things the farmers mention that the reader might not know about—organizations, legal acts, etc.) i've only just started reading it, but i'm already moved by these folks' wise words.
about the farm bill, the first farmer interviewed, Jim Knopik, says,
The Farm Bill—and I'll put this very bluntly, as clear as I can—is like a bull with a ring in its nose. The Farm Bill leads the farmers in whichever direction big industry wants them to go. If the Farm Bill is set up by big industry, or the big packers, or whoever has the most influence, then that's the direction the farmers will go. And that's the direction the farmers are in now in conventional farming. They are where industry and the big guys want them to be....But I do think it would be best if the change happened through the Farm Bill—a better farm bill. I think it almost has to, because it's so far out of hand. If it isn't going to happen there, I think it's going to be by a revolution.
this year i'd like to somehow get involved in the movement to get a fair farm bill.
here's the farm together now site with a great list of inspiring links.

surprise packages, with surprise eggs inside=double delight!
bigger

bigger poster, bigger scene
while i'm at it, i'll upload some other old homework assignments to flickr. the above was for photoshop class.
my excellent photoshop teacher loved (and presumably still loves) shocking/twisted/gross images; he often has as an assignment portray your fear (real or fake) and include yourself in the scene. the results generally are blood and guts-filled. because i knew i'd be staring at it for a while, and i preferred not to be spending hours zooming in on snake scales or the like, i chose a fake fear: fear of woodland creatures. (who doesn't love woodland creatures—aside from those woodland snakes?)
for the above assignment, we were to create a persuasive political/topical poster and then include the poster in a scene. my poster was about (surprise!) sustainable agriculture and industrial agriculture: sacred cow vs. mad cow. in the scene, the independent farmer (my classmate) is vanishing in a wasteland, america's heartland soil dead from the destructive farming methods employed by industrial ag.
the poster is another piece of mine that i didn't like at the time. i thought the poster was too literal. it is pretty literal, with a lot of text, but now i can see that it is also emotional/powerful—i feel sick about that poor jailed cow (even though it's not showing the actual brutality of a CAFO) {which again, i didn't want to stare at for hours while completing the assignment, and which would have been even more literal}).

love it when i am excited about my reading list:
housekeeping by marilynne robinson
the devil's teeth by susan casey
a visit from the goon squad by jennifer egan
i know you're out there by michael beaumier
freedom by jonathan franzen
by nightfall by michael cunningham
and got some new (to me) music from the library—the latest the national album.
i say it again: the public library is where it's at.
since i have no new photos to post, i'm posting the above stamp i made over a year ago for an illustrator class assignment (stamps about a social/political issue). at the time, i didn't like my stamp compared to my classmates' stamps, which were much more technically advanced. but i found it printed out at stamp size recently, and now i think it's pretty cute. i wouldn't mind getting it on an envelope.
my seed saving US stamp rant:
This stamp commemorates and encourages seed saving and trading. Seeds connect us to our heritage and to an unbroken chain of people who have saved seeds over hundreds, and sometimes thousands, of years. Immigrants from all over the world have brought their countries’ seeds with them to the United States, preserving and integrating a vital part of their cultures into the greater American culture.
Seeds that have been selected and saved over generations possess an invaluable genetic heritage and are often specifically adapted to the region in which they have been sown. Multinational agrochemical corporations are attempting to control seed supply worldwide, buying out smaller seed companies, dropping the regionally-adapted seeds and instead selling and distributing a select number genetically modified hybrid seeds and patented seeds, rendering the saving of their seeds useless and/or illegal and significantly diminishing the genetic diversity of seeds. By protecting seed diversity through the free saving and exchange of seeds, we honor those before us and protect ourselves, our culture(s), our future and life on earth.
annie of ALL for everyone makes me excited about color! the hat and tags above are from ALL knitwear.
the thing that looks like a matchbook above is a little pad of paper from krank press (also so colorful). i LOVE krank press' produce calendar, which shows you what to plant and what foods are in season to eat, while being pretty.
now this looks cozy and winter wonderlandish.
i am thinking about new year's resolutions. often i don't really make any, but this year i feel like making some. changes are in order!
and darker. soon though, it will start getting lighter.
congratulations to ELK—you won the giveaway!
thanks all for checking out the book and for entering your names, veggies and books into the mix!

pinky leon on the heater and me reminding you (with a postcard) to enter to win a From Orchards, Fields, and Gardens book
i can't believe how many of you love kale. for all you kale fanatics, i made this delicious kale salad for thanksgiving. it's so good. my housemate, heather, turned me on to 101 cookbooks. lots of yummy recipes to be found there.
so this weekend i pull a name out of a hat, but there's still time to enter to win a book (until midnight tonight)! thanks for playing along, vegetable lovers. and thank you for the orders of late. i'll announce the winner on monday.this week i saw low at the great american music hall. they were so in sync with each other. such perfect restraint and belting out. fantastic! when i go deaf.
i'm giving away of a copy of From Orchards, Fields, and Gardens—happy holidays! to enter to win the book, leave a comment by december 17. if you feel like it, tell me your favorite vegetable or the name of a good book. (if you don't have a website, please leave your email so that i have a way to contact you.) the winner will be chosen at random. good luck!
i put a ton more photos of the book here.
learn more about the book and the contributors here. if you're purchasing a book, i'll be shipping them out through december 21 (and then again starting december 28).
cheers!
shash
that's my former housemate and completely awesome, beautiful woman, Tamara, in the bottom photo. she wrote a wonderful piece for the book. in her story, Long Live Negrita!, Tamara weaves together several memories. she recalls gleaning walnuts as a child in the orchard her grandfather managed, how some years ago, working with plants helped her recover from a terrible loss, and how more recently, she created a garden with the children at the public housing development library she manages in Hawaii.


finally it feels like november in san francisco. last night a thunder, lightning, pouring rain storm passed over, leaving the air clear and crisp today. up on bernal hill, even off in the distance one could see the distinct shapes and colors of the houses lining the hills and streets. the wind blew cold, and the dampened ground made the green grass smell grassy. smelled like winter. i was glad to be bundled in scarf and jacket. ----------------
i really wish i was going to the loney dear concert in göteborg dec 3.
there is a sweet and delicate art show up at rare device right now. it's sarah mcneil's work. her drawings remind me a little of beatrix potter's illustrations.
photo by jen hewett
For your foodie friends, your sustainable agriculture-interested friends, your arty friends, your grandparent-adoring friends, your gardening friends and for family members you want to pressure (ever so subtly) into moving away from eating so many processed foods—
now through December 31, 2010, you can purchase From Orchards, Fields, and Gardens: Art and rememberings celebrating sustainable agriculture and good food for just $25! (5$ off the regular price)
The book is a coffee table book with beautiful artwork, and it has some meat (or really, mostly vegetables and fruit) to it in the form of non-fiction writing and poetry. More info and a list of artists and writers included in the book can be found on the website.
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I'm starting to think about making my annual Pinky Leon holiday cards.
Here are some sweet cards for inspiration/purchase:
Shanna Murray's
Lena Sjöberg's (in Swedish)
Anna Emilia's
Gemma Correll's
Anke Weckmann's
(I know there were more cards I wanted to link to, but now I can't find them.)
Lightening is striking now, so time to get off of the computer!

shakirah simley, one of the contributors to my book, started and runs slow jams from la cocina, here in SF. her delicious preserves change along with the seasons. she can't keep her wares on her online shelves, they're so popular! i found these at bi-rite grocery. can't wait to try the brown suga pear butter. mmm.
(i think the graphic design for her treats is rad too.)
find a great interview with shakirah over at lettuce eat kale.
now, time for toast!

from a fabulous portland weekend
so good, it canceled out losing the hat i had just special ordered to replace my other recently lost hat, flying (this is huge), watching a movie so bad we walked out of it, and being accosted/harassed by four drunks (on separate occasions).
some good parts
leaves in many shapes and colors (one that danced and flew like a bird)
a street where cats of all shapes and colors greeted passersby
little winter, a fantastic, small handmade market, so thoughtfully organized, with beautiful wares and art
unexpectedly running into jenny and her sister at little winter
so much good food and drink at clyde commons and at broder
so many friendly people (at little winter and at every restaurant and store we went to)
not very much rain, and quite a bit of sunshine
jen and liz and crazy giggling and talking talking eating talking walkingmy photos
jen's photos


grateful for
midnight colored packages tied with twine, colored with a story of annamaria painting in canada. so much is curvy-curly in her world—birds, clouds, vegetables. (how appropriate that she wears a blouse with scalloped sleeves.) and inside the package, a rainy watercolor soaked in weather. her clouds roll heavy with water into my house.
laura veirs singing last night
looking forward to portland's little winter: a handmade market and to spending time with two friends, one of whom who will soon be leaving san francisco for colorado. a bittersweet weekend. we will eat a lot of good food.
sarah jessica parker in LA story in constant motion—(on the beach) is it ok to spin here?
(which of course reminds me of THE best spinning-related scene in a movie ever)
bay area people: come over for some ice cream this saturday!